Sung,Houmei. “The Symbolic Language of Chinese Horse Painting.” National Palace Museum Bulletin 36:2(2002.7):62-73,in Decoded Messages:The Symbolic Language of Chinese Animal Painting,171-206. New Haven:Yale University Press,2009.
Waley-Cohen,Joanna. “Militarization of Culture in Eighteenth-Century China.” In Military Culture in Imperial China,ed. by Nicola Di Cosmo,278-295. Cambridge:Harvard University Press,2009.
Waley-Cohen,Joanna. “The New Qing History.” Radical History Review 88(Winter 2004):193-206.
Wang Cheng-hua,“A Global Perspective on Eighteenth-Century Chinese Art and Visual Culture.” Art Bulletin 96:4(2014.12):379-394.
Wang Cheng-hua,“Prints in Sino-European Artistic Interactions of Early Modern Period,” in Rui Oliveira Lopes ed. Face to Face:The Transcendence of the Arts in China and Beyond-Historical Perspectives(Lisbon:CIEBA/FBAUL(Artistic Studies Research Centre / Faculty of Fine Arts,University of Lisbon),2014):424-457.
Wellington,Robert. “The Cartographic Origins of Adam Frans van der Meulen’s Marly Cycle.” Print Quarterly 28:2(2011.6):142-154.
Whiteman,Stephen Hart. “From Upper Camp to Mountain Estate:Recovering Historical Narratives in Qing Imperial Landscapes.” Studies in the History of Garden and Designed Landscapes:An International Quarterly 33:4(2013):249-279.
Zhang,Hongxing. “Studies in Late Qng Battle Paintings.” Artibus Asiae 60:2(2000):265-296.
Zhou,Xiuqin. “Emperor Taizong and His Six Horses.” Orientations 32:2(2001.2):40-46.
四 学位论文
敖拉:《从〈旧满洲档〉到〈满文老档〉──1626年之前满蒙关系史料比较研究》,博士学位论文,内蒙古大学,2005。¨搜.餿′暁^税′罔^ +更¨歆?罪¨快?~微*趣¢晓!税*蛧′ _首,发+
蔡松颖:《皇太极时期的汉官(1627~1643)》,硕士学位论文,台湾台北师范大学历史研究所,2011。*欣/捖¢ \ ?榊/戦+ \已^发?布\最+新?蟑+結-
陈韵如:《画亦艺也:重估宋徽宗朝的绘画活动》,博士学位论文,台湾大学艺术史研究所,2009。
古晓凤:《唐代凌烟阁功臣研究》,硕士学位论文,陕西师范大学,2008。
黄玮铃:《画图留与人看:由王原祁的仕途与画业看清初宫廷山水画风的奠立》,硕士学位论文,台湾大学艺术史研究所,2005。
林焕盛:《丁观鹏的摹古绘画与乾隆院画新风格》,硕士学位论文,台湾大学艺术史研究所,1994。
李欣苇:《清宫铜版画战图创生:从〈平定准噶尔回部得胜图〉到〈台湾战图〉》,硕士学位论文,台湾大学艺术史研究所,2012。
马雅贞:《战争图像与乾隆朝(1736~95)对帝国武功之建构:以〈平定准部回部得胜图〉为中心》,硕士学位论文,台湾大学艺术史研究所,2000。
苏玟瑄:《从明代官员雅集图看明代雅集图及群体肖像的发展》,硕士学位论文,台湾师范大学美术研究所中国美术史组,2010。
吴大昕:《海商、海盗、倭:明代嘉靖大倭寇的形象》,硕士学位论文,暨南国际大学历史研究所,2001。
许瑜翎:《明代孔子“圣迹图”研究:以传世正统九年本〈圣迹图〉为中心》,硕士学位论文,台湾师范大学美术研究所中国美术史组,2010。
庄心俞:《清代宫廷画家徐扬笔下之乾隆武功》,硕士学位论文,中央大学艺术学研究所,2014。
Baldanza,Kathlene. The Ambiguous Border:Early Modern Sino-Viet Relations. PhD diss.,University of Pennsylvania,2010.
Chang,Chin-sung. Mountains and Rivers,Pure and Splendid:Wang Hui(1632-1717)and the Making of Landscape Panoramas in Early Qing China. PhD diss.,Yale University,2004.
Hearn,Maxwell K.. The Kangxi Southern Inspection Tour:A Narrative Program by Wang Hui. PhD diss.,Princeton University,1990.
Hwang,Yin. Victory Pictures in a Time of Defeat:Depicting War in the Print and Visual Culture of Late Qing China,1884-1901. PhD diss.,University of London,School of Oriental and African Studies,2014.
Kleutghen,Kristina R.. The Qianlong Emperor’s Perspective:Illusionistic Painting in Eighteenth-Century China. PhD diss.,Harvard University,2010.
Lo,Hui-chi. Political Advancement and Religious Transcendence:The Yongzheng Emperor’s(1678-1735)Development of Portraiture. PhD diss.,Stanford University,2009.
Ma,Ya-chen. Picturing Suzhou:Visual Politics in the Making of Cityscapes in Eighteenth-Century China. PhD diss.,Stanford University,2006.
Mei,Yun-chiu. The Pictorial Mapping and Imperialization of Epigraphic Landscapes in Eighteenth-Century China. PhD diss.,Stanford University,2008.
Wang,Cheng-hua. Material Culture and Emperorship:The Shaping of Imperial Roles at the Court of Xuanzong(r. 1426-35). PhD diss.,Yale University,1999.
Wellington,Robert. The Visual Histories of Louis XIV. PhD Diss.,University of Sydney,2014.
Whiteman,Stephen Hart. Creating the Kangxi Landscape:Bishu Shanzhuang and the Mediation of Qing Imperial Identity. PhD diss.,Stanford University,2011.
五 网络资料
高丽大学博物馆藏,北关遗迹图帖,/gallery.htm,最后访问日期:2009年8月23日。
马雅贞:《“相遇清代:中国与西方的艺术交流”国际研讨会报导》,《明清研究通讯》,34(2012.12),http://mingching.sinica.edu.tw/Report_detail.jsp?id=90¤tPage=Report,最后访问日期:2013年10月30日。